[Hebrews] 1

In Sara Teasdale's poem After Love, the opening line "There is no magic any more" establishes the theme of vanishing love. This setting of the poignant text, in the dark key of D-flat major,

Close harmonies and a lyrical melody paint the sense of longing one feels after losing a loved one. An exploration of dissonance and resolve, this a cappella piece provides comfort in a time of

A very poignant song. Phrases such as "Hush little baby, don't you cry, you know your mama was born to die," or "Oh my brothers, I must leave you here behind," view the approach of death in terms of those

This arrangement of Ani Ma'amin employs an old Jewish folk melody. It is said that during the Holocaust of WWII, Jewish prisoners in German concentration camps sang this song as they were being

Number four in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

Number one in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

Number three in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

This lively work incorporates a sprightly piano accompaniment with the wonderful poem Recuerdo by Edna St. Vincent Millay, along with body movements, to create a real mood piece that is fun and

This movement from the larger work At the Water’s Edge, which celebrates the landscape of the seacoast region of New England and its ties to the inhabitants, is set for treble

Number two in the series of four Appalachian Carols set for both mixed and treble voices. The complete set contains Wondrous Love; The Cherry Tree Carol; Jesus, Jesus Rest Your Head; and Go Tell it on

Scored for SSA voices with accompaniment. The Rig Veda is the oldest record of religious yearning, hymns to Nature in the form of gods. This is a legacy of the human race, and not just of the Hindu

A beautiful Christina Rossetti text about love gained and lost. Simple, moving choral writing in a quiet, reflective piece.

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

A moving setting of this gripping and emotional text. In this setting, the composer captures the solemnity of the text throughout the thoughtful choral writing, comforting those who are left to grieve.